Her evocative sculptures range from the intimate to the monumental. Born in 1963 to Thomas Whiteread, a Labor-supporting teacher, and Patricia, an artist, Rachel Whiteread grew up surrounded by politics and art from a young age. As a child, Whiteread's two favourite images – printed on postcards she still has – were of Bridget Riley op art and Anthony Caro's groundbreaking 1962 sculpture Early One Morning. Rachel Whiteread, CBE (born 20 April 1963) is an English artist who primarily produces sculptures, which typically take the form of casts. One of Britain’s leading contemporary artists, Whiteread uses industrial materials such as plaster, concrete, resin, rubber and metal to cast everyday objects and architectural space. Rachel Whiteread’s public sculpture Nissen Hut was unveiled in October 2018 in Yorkshire’s Dalby Forest. Born in Ilford in Essex, Rachel Whiteread moved to London when she was seven. Despite an early rebellion against her mother’s line of work, by her late teens Whiteread was set on following her footsteps. Her work is on display in the Jane and Harry Willson Sculpture Garden at the Georgia Museum of Art at the University of Georgia through March 7. In her breakthrough 1990 work Ghost, Rachel Whiteread created a positive from a negative, making a plaster cast of the interior "void" of a Victorian parlor measuring approximately 9 feet wide, 11 1/2 feet high, and 10 feet deep. She studied painting at Brighton Polytechnic and sculpture at the Slade School of Fine Art. Dame Rachel Whiteread (born 20 April 1963) is an English artist who primarily produces sculptures, which typically take the form of casts. House “was a lightning rod for all kinds of public housing debates,” says Molly Donovan, curator at the National Gallery of Art in Washington, D.C., which recently opened a comprehensive retrospective of Whiteread’s works. She was the first woman to win the annual Turner Prize in 1993. INTERNATIONAL SCULPTURE CENTER 14 Fairgrounds Road, Suite B Hamilton, NJ 08619-3447 P: 609.689.1051 F: 609.689.1061 Rachel Whiteread was born in London in 1963. Her mother, Patricia Whiteread (née Lancaster), who was also an artist, died in 2003 at the age of 72.Her father, Thomas Whiteread, was a geography teacher, polytechnic administrator and lifelong supporter of the Labour Party, who died when Whiteread was studying at art school in 1988. The British sculptor Rachel Whiteread is one of the world’s leading contemporary artists. Tate Britain removed interior walls for its recent Rachel Whiteread retrospective, creating an open 1,500- square-meter space—an unusual modification that allowed all of the sculptures to be viewed with a single sweep of the eyes. Tate Britain. Whiteread’s breakthrough piece, Ghost, 1990, is a plaster cast of a living room, modelled on a typical Victorian terraced house, similar to the north London terrace in which the artist grew up. The exhibition “Rachel Whiteread” presents a series of five cast-stone sculptures reinterpreting her earlier resin castings of the space beneath chairs. Rachel Whiteread’s sculpture gives shape to the nothingness of space. She was the first woman to win the annual Turner Prize in 1993.Whiteread was one of the Young British Artists who exhibited at the Royal Academy's Sensation exhibition in 1997. London. The sculpture’s political dimensions helped make it especially divisiveness. She was the first woman to win the annual Turner Prize in 1993. Her work appeals to the broadest possible audience – with no gimmicks. Dame Rachel Whiteread (born 20 April 1963) is an English artist who primarily produces sculptures, which typically take the form of casts. Rachel Whiteread became the first woman to receive the Turner Prize with her sculpture House (1993), a replica of the interior of a condemned London house created by filling a house with concrete and stripping away the mold. A survey of the work of Rachel Whiteread has just opened at the National Gallery of Art, its only East Coast venue, and is well worth the trip to Washington, D.C. Whiteread has produced a remarkable body of work.It is powerful, poignant, and recognizably her own. Whiteread was one of the Young British Artists who exhibited at the Royal Academy's Sensation exhibition in 1997. Whiteread casts the interiors of buildings, household objects, and furniture, capturing familiar but often overlooked areas of the home—the underside of a chair, the contents of a medicine cabinet, or the inside of a garden shed.

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